The 14 best about playwriting books

1. Playwriting: Structure, Character, How and What to Write by Stephen Jeffreys

What is this book about?

Stephen Jeffreys' "Playwriting: Structure, Character, How and What to Write" is a comprehensive and practical guide designed to demystify the art of playwriting for aspiring and experienced writers alike. Jeffreys delves into the fundamental elements of playwriting, providing concrete advice and exercises to help writers craft compelling stories for the stage. He explores the importance of dramatic structure, offering a clear roadmap for building engaging plots and crafting satisfying resolutions. Character development takes center stage as Jeffreys guides writers in creating believable and multi-dimensional characters that resonate with audiences. Throughout the book, he emphasizes the "how" and "what" of playwriting, providing practical tips on dialogue construction, scene building, and developing a unique voice. Jeffreys encourages writers to embrace their creativity, experiment with different styles, and ultimately, find their own distinct voice as playwrights.

Who should read this book?

This book is a great fit for:

• Aspiring playwrights: If you're just starting out and want a solid foundation in playwriting, this book is a great place to begin.
• Experienced playwrights: Even seasoned writers can benefit from Jeffreys' insights and practical advice.
• Drama students: This book can be a helpful resource for students taking playwriting courses or workshops.
• Anyone interested in theater: Even if you're not a writer, this book can deepen your understanding and appreciation of plays.

2. Play-Making: A Manual of Craftsmanship by William Archer

What is this book about?

William Archer's "Play-Making: A Manual of Craftsmanship" is a seminal work in dramatic theory that dissects the technical elements of playwriting with meticulous detail. First published in 1912, the book presents a structured approach to crafting engaging plays, emphasizing the importance of plot construction, character development, and dialogue. Archer, a renowned critic and playwright himself, guides readers through the intricacies of dramatic technique, exploring themes such as exposition, conflict, rising action, and climax. He emphasizes the need for plausibility and effectiveness in plot construction, advocating for a logical and compelling chain of events that captivates the audience. While some of his ideas may seem rigid by today's standards, Archer's insights into dramatic structure and theatrical effectiveness continue to resonate with playwrights and theater enthusiasts alike, making "Play-Making" a valuable resource for understanding the mechanics of compelling storytelling for the stage.

Who should read this book?

"Play-Making: A Manual of Craftsmanship" is super helpful for:

• Aspiring playwrights: It's basically a playbook for crafting a play, from the initial idea to the final scene.
• Drama students: It's a fantastic resource to understand the mechanics of playwriting and analyze existing works.
• Theater enthusiasts: Even if you aren't writing, the book provides great insights into how plays are structured and what makes them tick.
• Anyone interested in storytelling: The principles discussed can be applied to various forms of narrative art, not just plays.

3. Aristotle's Poetics by Stephen Halliwell

What is this book about?

Stephen Halliwell's "Aristotle's Poetics" doesn't tell a story in the conventional sense. Instead, it dives deep into Aristotle's seminal work, "Poetics," offering a comprehensive analysis and interpretation. Halliwell guides readers through Aristotle's ideas on tragedy, epic poetry, and the very nature of artistic imitation (mimesis). He explores key concepts like plot, character, and catharsis, shedding light on Aristotle's enduring influence on literary theory and dramatic criticism while also addressing the historical context and potential challenges of interpreting this ancient text for a modern audience.

Who should read this book?

Stephen Halliwell's "Aristotle's Poetics" is a great read for:

• Students of literature and theater: It's basically required reading for anyone seriously studying these subjects, as it digs deep into fundamental concepts.
• Aspiring writers and dramatists: Understanding Aristotle's ideas can provide a strong foundation for crafting compelling narratives, whether in plays, novels, or even screenplays.
• Anyone interested in philosophy and aesthetics: Halliwell makes Aristotle's philosophical ideas accessible and relevant to understanding art and how it impacts us.
• Those curious about the history of literary criticism: The book is a fantastic entry point to understanding how we've thought and talked about art throughout history.

4. The Crafty Art of Playmaking by Alan Ayckbourn

What is this book about?

'The Crafty Art of Playmaking' isn't a play with a traditional narrative by Alan Ayckbourn, but rather a captivating exploration of his creative process as a playwright. Through humorous anecdotes, insightful observations, and practical advice, Ayckbourn delves into the intricacies of crafting compelling characters, constructing engaging dialogue, and structuring a play for maximum impact. He generously shares his personal experiences, triumphs, and challenges, offering aspiring and seasoned writers a rare glimpse into the mind of a theatrical master. The book isn't a prescriptive guide, but rather an invitation to embrace the joy and craft of playwriting, encouraging readers to find their own unique voice and approach to this dynamic art form.

5. The Seven Basic Plots: Why We Tell Stories by Christopher Booker

What is this book about?

In "The Seven Basic Plots: Why We Tell Stories" Christopher Booker argues that despite their seemingly infinite variety, all stories fundamentally adhere to one of seven basic plot structures: Overcoming the Monster, Rags to Riches, The Quest, Voyage and Return, Comedy, Tragedy, and Rebirth. Booker explores each archetype in depth, drawing examples from myths, fairy tales, literature, and film to illustrate their universal appeal and enduring power. He analyzes the common elements within each plot, such as the hero's journey, the presence of archetypal characters, and the satisfying resolution of inherent conflicts. Ultimately, Booker suggests that these recurring narrative patterns reflect fundamental human experiences and psychological needs, explaining why we find stories so compelling and essential to our understanding of the world.

Who should read this book?

Here are some people who might really enjoy "The Seven Basic Plots":

• Aspiring writers: If you're trying to craft your own stories, understanding these common structures can give you a strong foundation.
• Anyone who loves stories: Even if you don't write, seeing these familiar patterns across different books, movies, and plays can deepen your appreciation for storytelling.
• People interested in psychology or human behavior: The book delves into why these plots resonate with us on a fundamental level.
• Book club members: It's a great pick for discussion since it provides a unique lens for analyzing any story.

6. Actions: The Actors' Thesaurus by Marina Caldarone, Maggie Lloyd-Williams

What is this book about?

"Actions: The Actors' Thesaurus" by Marina Caldarone and Maggie Lloyd-Williams is not a narrative-driven book with a traditional story. Instead, it serves as a practical guide for actors seeking to deepen their understanding and execution of onstage actions. The book provides a comprehensive lexicon of actionable verbs, organized by intention, that actors can use to analyze and embody their characters' objectives. Each verb is accompanied by a clear definition, helpful tips for physicalization, and insights into the underlying subtext. Through this detailed exploration of action verbs, the authors aim to empower actors with a versatile toolkit for crafting believable and compelling performances.

Who should read this book?

"Actions: The Actors' Thesaurus" is a great pick for:

• Actors of all levels: Whether you're just starting out or have tons of experience, this book can help you unlock new depths in your acting.
• Acting students: It's a fantastic resource for classes focused on script analysis and character development.
• Directors: Understanding action verbs can help directors communicate more effectively with their actors.
• Anyone fascinated by the craft of acting: If you're curious about how actors create believable emotions and behaviors onstage, you'll find this book insightful.

7. The Hero With a Thousand Faces by Joseph Campbell

What is this book about?

"The Hero With a Thousand Faces" doesn't tell a single story, but rather explores the universal narrative archetype of the hero's journey found throughout world mythologies and literature. Joseph Campbell argues that diverse heroes, from ancient myths to modern stories, follow a similar cyclical pattern: leaving their ordinary world, facing trials and temptations, achieving a significant goal, and returning home transformed. He breaks down this "monomyth" into stages like the Call to Adventure, the Meeting with the Mentor, and the Supreme Ordeal, illustrating each with examples from various cultures. Campbell's book ultimately suggests that this shared hero narrative reflects fundamental human psychological experiences, providing a roadmap for understanding our own lives and the stories we tell.

Who should read this book?

"The Hero With a Thousand Faces" is a fascinating read for:

• Writers: Understanding the hero's journey can add depth and structure to your own storytelling.
• Mythology enthusiasts: Campbell dives deep into myths from around the world, revealing surprising connections.
• Anyone seeking personal growth: The hero's journey can be a metaphor for our own challenges and transformations.
• Readers interested in psychology and archetypes: Campbell's work explores universal patterns in human experience.
• Those who love a good story: Even if you don't analyze every plot point, it's fascinating to see how this one narrative framework pops up again and again.

8. Playwrights on Playwriting: The Meaning and Making of Modern Drama from Ibsen to Ionesco by Toby Cole

What is this book about?

"Playwrights on Playwriting" isn't a story in itself, but rather a compilation of insightful essays and interviews with prominent playwrights from the modern era. Instead of presenting a single narrative, the book provides a multifaceted exploration of dramatic writing as told by the creators themselves. From Ibsen's realism to Ionesco's absurdism, each playwright delves into their creative process, motivations, and perspectives on the evolving landscape of theatre. Through their own words, we gain a deeper understanding of their artistic choices, the challenges they faced, and the enduring power of their plays. Toby Cole's compilation offers invaluable insights into the world of playwriting, shedding light on the transformative period of modern drama.

Who should read this book?

"Playwrights on Playwriting" is a great choice for:

• Aspiring playwrights: Hearing directly from successful writers about their craft is invaluable.
• Theater lovers: If you enjoy going to plays, this book offers a peek behind the curtain at how they're made.
• Students of drama and literature: It's a fantastic resource for understanding the evolution of modern theater.
• Anyone interested in the creative process: Hearing artists reflect on their own work offers insights that apply to any creative field.

9. The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives by Lajos Egri, Gilbert Miller

What is this book about?

"The Art of Dramatic Writing" doesn't tell a story in a traditional sense but instead delves into a system for crafting compelling plays based on understanding human motivation. Lajos Egri, with a foreword by Gilbert Miller, argues that a character's actions should arise organically from their fundamental desires and the internal conflicts these desires create. The book breaks down Egri's method, emphasizing the importance of establishing a character's "spine" or overarching goal, and then creating obstacles and complications that force them to make difficult choices. Through detailed analysis and numerous examples, Egri provides a framework for building believable characters, escalating conflict, and crafting dramatically satisfying narratives, ultimately illustrating how a deep understanding of human psychology forms the bedrock of compelling storytelling.

Who should read this book?

"The Art of Dramatic Writing" is a good fit for:

• Aspiring playwrights: Egri's method provides a practical framework for crafting compelling characters and stories.
• Screenwriters and novelists: While focused on plays, the principles of character development and conflict apply broadly to storytelling.
• Anyone interested in human behavior: Egri's emphasis on motivation offers a unique perspective on why people do what they do.
• Writers looking for a challenge: The book encourages a rigorous, analytical approach to character development.

10. Bloomsbury Theatre Guide by Trevor R.; Woddis Carole Griffiths, Carole Woddis

What is this book about?

"Bloomsbury Theatre Guide" by Trevor R. Griffiths and Carole Woddis doesn't tell a linear story. Instead of a narrative, it offers a comprehensive and insightful exploration of the vibrant world of British theatre during a specific period. The book likely acts as a guide to the theatrical landscape of the time, featuring reviews, critiques, and analyses of various plays, playwrights, directors, actors, and companies active within the Bloomsbury scene. It might delve into prevalent themes, styles, and movements shaping the era's theatre, offering readers a deeper understanding of the cultural and artistic context surrounding the productions. Rather than a single story, it provides a multifaceted portrait of a dynamic period in British theatre history.

11. Backwards & Forwards: A Technical Manual for Reading Plays by David Ball, Michael Langham

What is this book about?

"Backwards & Forwards" isn't a story in the conventional sense, but a practical guide to understanding and analyzing plays. Rather than narrating a plot, the book presents David Ball and Michael Langham's method for unpacking a play's structure and meaning through a close reading of its text. The authors advocate a non-linear approach, encouraging readers to move "backwards and forwards" through the script, identifying key dramatic events, character actions, and recurring motifs to uncover the playwright's intentions. Through clear explanations, helpful diagrams, and insightful examples, the book provides a toolkit for dissecting a play's structure, themes, and underlying dynamics, offering readers a deeper appreciation for the art of playwriting and performance.

Who should read this book?

"Backwards & Forwards" is super helpful for:

• Acting students: It's a classic text for learning how to analyze a script and build a character.
• Directors: The book's framework can help directors make strong choices about staging and interpretation.
• Playwrights: Seeing how to break down a play can make you a stronger writer yourself.
• Anyone who wants to understand plays better: Even if you're not putting on a production, this book can deepen your appreciation for how plays work.

12. The Elements of Playwriting by Louis E. Catron

What is this book about?

"The Elements of Playwriting" isn't a story-driven book, but rather a comprehensive guide to the craft of playwriting. Instead of presenting a narrative, Louis E. Catron meticulously breaks down the essential elements that contribute to a successful play. The book likely covers a range of topics, from developing compelling characters and constructing believable dialogue to structuring scenes for dramatic impact and exploring different genres and styles. It might delve into the technical aspects of playwriting, such as formatting a script and understanding stage directions, while also addressing the creative challenges of crafting engaging themes and conveying a clear message to the audience. Ultimately, the book aims to equip aspiring playwrights with the knowledge and tools necessary to transform their ideas into captivating stage productions.

13. Writing Your First Play by Roger A. Hall

What is this book about?

"Writing Your First Play" by Roger A. Hall doesn't tell a story in the traditional sense, but instead, guides aspiring playwrights through the process of crafting their first theatrical work. It provides practical advice, exercises, and encouragement for transforming initial ideas into a stage-ready script. The book likely covers key aspects of playwriting, such as developing compelling characters, writing realistic dialogue, structuring a plot, and understanding stage directions. Hall might offer tips for overcoming writer's block, finding inspiration, and navigating the often-daunting world of theater production. Ultimately, the book aims to demystify the playwriting process, empowering aspiring dramatists to find their unique voice and bring their creative visions to life.

Who should read this book?

"Writing Your First Play" is perfect for:

• Brand new playwrights: If you're just starting out and feel intimidated, this book offers a friendly, encouraging guide.
• Anyone who's ever thought, "I have a play in me!": This book can help you take those ideas and turn them into something real.
• Students in introductory playwriting classes: It's a great supplement to what you're learning in the classroom.
• People who enjoy theater and want to try something new: Playwriting can be a fun and rewarding creative outlet!

14. The Playwright's Workbook by Jean-Claude van Italie

What is this book about?

"The Playwright's Workbook" by Jean-Claude van Italie doesn't tell a story in the traditional sense but instead serves as a practical and interactive guide for aspiring playwrights. Rather than a narrative, the book likely presents a series of exercises, prompts, and techniques designed to stimulate creativity, develop writing skills, and guide writers through the process of crafting a play. It might explore different aspects of playwriting, such as character development, dialogue construction, plot structure, and theme exploration, offering practical advice and hands-on activities to solidify understanding. The book aims to be a creative companion, encouraging writers to explore their ideas, experiment with different approaches, and ultimately transform their imagination into compelling dramatic works.

Who should read this book?

"The Playwright's Workbook" is a great pick for:

• New playwrights who like a hands-on approach: If you learn best by doing, the exercises in this book will get you writing.
• Playwrights who are feeling stuck: Sometimes you need a little nudge to spark creativity, and this book is full of prompts.
• Writing groups: Working through the exercises together could lead to some really interesting discussions and collaborations.
• Anyone who wants to try their hand at playwriting: You don't need any experience to benefit from this book!